Chicken Tractor Trade Offs

I have been enjoying having my chickens run free during the day. Sadly the hawks have also enjoyed having my chickens run free during the day.

I love and respect hawks, love that they nest in my trees and have for as long as I have lived there. I wish the lazy bums would get back to eating rodents and leave my flightless birds alone.

So now I am making chicken tractors.

Chicken tractors are mobile chicken coops. Nice for gardening as chickens will in a fairly short time over graze and area, eat all the seeds, sprouts, weeds, plants, bugs, you name it, and leave the spot quite fertile. A week or so in one spot, and you move the tractor. Now you have a nice plot to garden, and the chickens are working on the next spot for you.

This works well on flat surfaces, level gardens and the like, but can be more complex for rougher terrain.

Part of the issue is that it needs to be large to have lots of floor space for chickens. You want at least 2 square feet per chicken, probably 3 to 4. The smaller the tractor, the less efficient for space. A 4 square foot cage uses 24 square feet of wire, but if you keep the height the same, a 16 square foot cage uses 64 square feet of wire. The smaller cage uses 6 square feet of wire for 1 square foot of floor space. The larger cage uses only 4 square feet of wire per foot of floor space.

While it is more efficient use of chicken netting to make a larger cage, when you make it bigger, you make it harder to move. It also needs more structure. When you add the roosting, egg laying, supplemental feeding and watering, you add weight and structures. If you make more tractors per chicken, you end up reproducing all of those structures. So creating the ideal system is a challenge. There are a lot of trade offs. Additionally it is nice to make the thing a bit pretty or you just have a chicken wire cage with pinned birds in it.

One advantage of multiple cages is that breeding is made easier. If you are trying to improve your flock, having a multitude of cages can really help you keep track of and control your crosses. So smaller cages can have advantages.

With a pleasing form, a cage can instead be a grace to the yard, and make the whole thing a bit more entertaining.

Bob

The Other Works of William Shakespeare, 002 Shakespeare Met

I was sitting in a large moss covered oak tree on the bank of a creek just small enough to babble and just large enough to have pools. The roots by the creek were quite well exposed and through the windows that the roots framed, I could see fish swim and hunt and hide. I sat with my bow strung, waiting for a deer to come and drink. It was a rare warm day late in autumn. Red and gold leaves dreamed of youth as they drifted down the stream.

Many hours I had spent here that day. This was a special hunt for me. My father was to take me to Wales soon and he planned to give me a mans bow. My bow was smaller but I loved it as a friend. To hang it up without one last hunt would have been to betray it. My small bow was bent from being strung too long and scarred from ill use. My fathers Hound Keeper had warned me that the urchins would steal my new bow if I abused it as badly.

The birds became quiet after a light wind send leaves flying. I slowly reached for an arrow, expecting my quarry to gently walk into view. Down stream I heard a voice.

“I see thee, hiding there.” The voice said in a warm, teasing tone.

The lad came into view. He was slowly moving up the stream crouched and staring into the water.

“Thou cans’t not escape me. I have hands and mind and intent. You have but scales and fins and water.”

He moved into close view. I could have shot him twice over. He gently moved, but quickly, never slipping on the smooth green rocks. I couldn’t see the fish he was chasing but by his attention I knew where it was. Starring into the water, never noticing me, he came right to the base of the tree I was in. He lowered his head near to the water and looked into the roots’ shadow.

“I cans’t see thee not. Yet I know where thou art. For you are a large and perfect fish. Thine age has taught you to take care and hide in the most perfect spot. Thy wisdom betrays thee.”

He tossed the boots and bag that were hanging from his neck onto the bank beneath the tree and then sat down right in the stream. He sat perfectly still for a moment, like a stone. His stillness shifted too slowly to notice as he leaned over, head nearly underwater, blindly stretching his hand, then arm, then body into the root shaded pool. His head went under water, under roots as his body slowly drew after his hunting hand. There through the root framed window I saw the back of the fish. His hand gently reached under the fish and then like a lover caressed the fish.

It came to me then that he had been without air all this time. I hesitated not wanting to spoil his hunt, fearing him drowned for sure. But for his hand moving, I would have thought the creek had claimed him. Then in a moment he was gasping for breath, holding the fish by the gills with both hands. Life and joy exuded from him as for a moment he seemed like a creature one with the water rushing around him. He stood and then jumped, twisting himself around to where he was sitting on the roots holding his fish. It was then I realized he was poaching.

“My poor fish,” he spoke, “What grantest thou me for thy freedom and life?”

He lowered his ear near to the struggling fishes mouth.

“No answer then?” He asked as he looked closely at the fish. “Then turnst thou into a lithe maid here in my lap and again your life if not sudden freedom thou shalt surely have. Well then since you refuse to be more wonderful than thou art already. Then surely I will dine so well that I will forgive your mundane being.”

He stood and retrieved his boots and bag. Then he turned and looked up at the tree that held me. Spots of light danced through the leaves onto his surprised face. He expected only to see a grand oak.

“Do you not warn a man when he come near?” He said.

“I don’t knock the brush from an artists hand.” I replied.

He bowed to me. “Would you shoot a poacher in the back as he ran?”

“My father taught me that I would hunt better, learn more and live longer if I refrained from hunting poachers. For thy name I will give you your life, your fish and your secret.”

“I am William Shakespeare, and for your generosity I will lead you to the buck you are seeking. By this I will prove your father wise. In all truth this fish is but half way poached.”

“Half way?” I asked.

“Half way! Here I will set my tale before you to judge. Seeing that you are a fair and honest man I fear no injustice in you decision. I do not have any wish for you to consider me a braggart, yet I will gently broach my skill as a fisherman. Others make a fair attempt at catching any fish. Thou knowest as an archer would, that to but aim at the target and not the center is no way to improve one’s skills. So when I aim to catch a fish, I aim not to catch the closest fish that I spy, but the fish that I most desire. By doing so my skill has grown where when I see a fish, it is already caught. It is only time that keeps it from being in my hands. When I first set my mind to capture this fish, I was not yet on this property. Thus this fish was at least half caught on another premise.”

“Knowing this,” I answered, “I must agree and go even further. I would say that since your skill is so great that any fish you desire is already caught. Furthermore since all fish must at one time pass through regions where you are free to catch fish, then surely you have the right to any fish. This does however beg one question. How do you catch a specific fish once it has reached the sea?”

“Simply this, I cheat. I always pursue my fish upstream.

We walked together almost a league downstream. There He recovered his bow and gear. We drank from the creek and he put his boots back on. Then he led me nearly out of the woods and into the common. There in an unkempt grain field stood a buck with points equaling twelve. Not the oldest I had seen, but still more buck than I could carry. I drew and shot this buck. He leapt and fell spent.

“I fear that this is perhaps more than I can carry, William.”

“We can tie the legs and then carry it on a stave together, your manor is not far from here.”

“You know me then?” I asked as we attended to the task at hand.

“I know your colors, lordship.” He answered.

“No lord am I.”

“I had heard that your fathers favorite son was your age.”

“My uncle and his wife do love me, yet I am not the heir nor do I hold any grievance with my cousin.”

“Then I will not hold any ill to your cousin either.” Shakespeare said.

With that line I knew him to be my friend. In all my life to follow no friend more true or loyal have I met. I swear to you the blind and loyal friendship that this man could give was this mans only true failing. He could see through to the heart of every man, every man save those he had given his friendship to. Though he was always a rogue, he was always charming and in his way quite honorable. Some men grew to fear him. Some to worship him as the best of England’s children. Thus begins my tale, the story of William Shakespeare.

The Other Works of William Shakespeare, 001 Introduction

Let not this mad shepherd taint history,

By drawing lines tween stars misunderstood.

He declares for all time no defense none,

For the feverish dream this poem proceeds.

Let not a shepherd who himself straying,

Make trails that lead far from what is and was.

In my own defense, I have not buried,

Any fact, that might, discount this story.

If there is truth herein, not just seeming,

then coincidence reins in this supreme.

I started researching this novel late in 1998.   I did not know at the time that I was researching a story.   I had recently added another book to my library on the question of who wrote Shakespeare and in my reading resolved to prove that Shakespeare, one and for all was not the author of Shakespeare’s plays.

It was obvious, from the works that I had read, that Shakespeare could not have written any of the plays.   So I went to the Texas A&M Library and started digging.   Here were the simple facts I was looking for; was there any reliable evidence that William Shakespeare of Stratford was the actor, William Shakespeare, was there any reliable evidence that William Shakespeare of Stratford was the writer William Shakespeare and last, was there any reliable evidence that William Shakespeare the actor was William Shakespeare the author.

I knew that If I could find a strong denial of any of those points, that I could shoot down those Idiot ‘Stratfordians’ who denied that my hero, Bacon, had written these plays. I’m a slow methodical researcher. I had to have reliable proofs. It took me four hours of research to utterly prove that I was a fool.

William Shakespeare of Stratford wrote and performed the plays. It did not come to me as a sudden revelation. It came from looking at copies of the original documents and reading what they said. If anyone wants a shortcut to the research that I did, there are two good places to look. Do not look at transcriptions, my research has taught me that one small “…” can leave out a lot of truth.

Look for his last will and testament and the records of his companies payments at court. I didn’t even need the records of Stratford to lose my fond delusion. Fortunately for my sense of intrigue, while I was loosing one mystery, I was finding another. If Shakespeare is Shakespeare, just who is Shakespeare?

And what about the ten missing years just before he becomes a major force in world literature. With just a bit more research I came to a clear and obvious conclusion. The ten-year period that Shakespeare is missing, is a golden opportunity for a writer.  So then I decided to tell the story of William Shakespeare.  There is enough data present for me to come up with another wild, twisted theory. That Shakespeare was a secret agent. I took a week off from work and started to really do some research. The more I researched the more it became obvious. If Shakespeare was not involved in espionage, then he was the only man in England that wasn’t. Everyone was involved in the intrigues of the day. If you were a Catholic, Protestant, Anglican, Mystic or Atheist, you were involved in a plot.

So my basic concept for this story became clear.  Involve or credit directly everything possible to Shakespeare.   One year after William Shakespeare moves to London, the Spanish Armada is defeated.  Coincidence?   Of course not!

In telling this tale, I have taken much of the physics, faith and magic that were believed in at the time, and treated them as absolute fact.    To a large degree, it is not possible to understand the people of this day and age without taking them in the context of their superstitions.

Bob


Etching Steel

I cut a few slabs of O1 steel to be kanabans.  Since diamond grit will inbed itself into the steel, I want to label each plate seperately in a clear and permanent way.

So I am trying a few experiments.  First off, I have sprayed enamel on them.  I plant to scratch through the enamel and then soak the plates in vinegar.  I have not yet tried etching this way so it promises to be a learning experience.

I will give more data as it progresses.

Bob

An Odd Sample of Poetry

I had intended to on occasion submit a bit of poetry to this site.  I do enjoy writing poetry, yet I have little faith in my poetic talent.   I have a goal, that sadly may be well beyond my skill to write.  But then this tale has too many good parts to pass on.  I do have fair faith in my ability to sculpt a plot.  Doing it justice in the telling however is another thing entirely.

So to start my presentation boldly, I will embarrass my self by presenting a selection from a book I am writing quite slowly, ‘The Other Works of William Shakespeare.’

It was a feast day and in the market square William stood by a box taller than him draped with painted scenes on fabric. At the top of the box was a window. Inside this window were two small figures. A small child was trying to drag her much older brother to where the children were gathered before Shakespeare.

“The puppets,” She wined, louder than Shakespeare’s speech. “I want to see the puppets!”

Shakespeare said, “What say you, Princess?” and put his ear next to the princess puppet. Then he shaded his eyes with his hand and peered about the market. “In Truth, Princess Mollycoddle, I see no more puppets than thee.” Then he asked the children, “Prithe gentle children, have you seen puppets about? Princess Mollycoddle loves puppets dearly and her wish is to see them as well.”

The knight puppet gestured for Shakespeare’s ear as the children roared that Princess Mollycoddle was a puppet. The boy and his sister joined the crowd as Shakespeare listened to the nodding knight.

“Oh,” Shakespeare said, “She was saying ‘poppets’ and means these very children gathered here where they are staring so rudely at the knight and the princess. That seems silly, a poppet wanting to see a poppets when she is a poppet.”

The children protested that the knight and princess were the puppets as a few of the parents moved closer, entertained by this odd show.

Shakespeare continued with his story in a low conspiratorial tone, “The Princess confides with Sir Gimmly of Wobblelance. She doth tell that the kingdom lies in danger dread. In days dim past the only dragon here had asunder torn village and peace. Now with his cousin come to stay and supp, for each fat man eaten, a thin one is also chewed.”

“The knight bowed to the princess. ’I will pursue these dragons and explain their folly, sword in hand.’”

The knight left as the princess clasped her hand over her heart watching him go. “Wobblelance boldly searched the village through, looking for any tale of the dragon.”

The knight approached a dragon puppet with an apron and a bakers hat. “Good baker have you a dragon seen? The knight asked.”

“The baker’s the dragon!” A child yelled.

Shakespeare turned to the boy and said, “Interrupt not the Knight, He is in search of a dragon cruel.”

The dragon puppet turned to face the child and quickly shook his head at him.

All the children started shouting, “The baker’s the dragon.”

Shakespeare continued, “Since there was noise to loud for the knight to hear the baker, the knight continued on searching the village.”

As the knight left the stage the dragon popped down and then came back up wearing a cloak. The knight came back on the stage and approached the dragon in the cloak.

“Good man, Sir Gimmly cried, ‘Where is one who has this dragon seen!’”

‘By my belly, I swear there was such a man but a moment ago here, but now I can spy him not. Said the good villager.”

Shakespeare continued weaving the story drawing more children and parents into the crowd before him. As it looked like everyone in the village was now a dragon, Shakespeare brought out a balance and announced, “Now we must decide by weight of pence, whether we have a happy ending with a marriage, or a more tragic one where by inevitable sorrow reins.” The adults present were now mobbed for coins by their children. The younger children and the girls put coins in the happy pan. The older boys put a few coins the tragic side until it became clear that the happy side was winning.

As the donations slowed, I approached the scales and started adding coins until they were balanced, although I could not quite achieve a perfect balance and it leaned a bit toward tragedy.

Shakespeare shook his head. “Lord I must ask, why you trouble me in such a generous way?”

“I would have a mixture of both as in truth happens.” I would further have the delivery in poem as prose is much to simple by far.”

“A request by a noble lord was made, now I must compose anew. Please pardon if this puppet parade, is now quite far driven askew.”

I interrupted as Shakespeare considered his next line. “Sadly, gentle player I must challenge you more, to give rhyme and to meter not ignore. I would have you show your true worth therefore, to compose an ending farther from poor.” With that I tossed a crown into a pan more than doubling my previous donation.

Shakespeare pulled up his sleeves. “Now it appears my sleeves myself must pull, to give lesson fair in good poetry. I hope the puppet master is no fool, and will follow closely my new story.

Sadly now the pan of tragedy side, is tilting fully more than good used too. But balance still must this time override, this story that I will impart to you.”

Shakespeare tapped on the box and continued. “Good Sir Gimmly was then loath to return, but he had not found any dragon here. But he had to warn the village might burn and the kingdom fair still had much to fear.”

The knight puppet bowed over shaking his head and crossed the stage.

“He was greeted by the princess he thought, and with sorrow told of his great failure.”

The dragon appeared with the Princesses hat on and the Knight approached and bowed before her.

“He said since he had not found what he ought, clearly his quest and his heart were not pure. The princess I do think, did not seem sad, but flirted there with the knight Wobblelance. In marriage her hand he then asked and had, but noticed something with their first dance.”

The puppets went down and then awkwardly a priest puppet came up with both the Knight and the Princess. Then they all went down and the princess and the knight came up and started sweeping through a dance.

“Your skin is much tougher than I did think, Your hand is so large and your breath does stink.”

The dragon puppet pulled back shaking with rage.

“But I did vow that my love would be true, so never will I be unkind to you.”

The puppets embraced.

Shakespeare bowed and the curtains closed on the boxes’ window. “Thank you for watching our small entertainment.”

Bob