Jointmaker Pro, First Jig, First Review

I finally have the table set up for the Jointmaker Pro.  So now comes the testing.

I decided to use a shaft of very tight grained ash.  A vicious test for any saw.  I am not going to go easy on the JMP.

First I took a section of ash, 1.3″ by 0.95″  I set up a stop to give me  a six inch length and then cut several matching blocks.

Here is the process, the blade is raised by a hand crank.  The crank needs to be turned 17 full rotations to finish cutting through the blank.   By adjusting the angle of the blade, the depth of the cut can be altered.  by matching the amount that you turn the crank, to the depth of the blade, you can make sure the entire length of the blade is used during a push.  I found that the most aggressive cutting I could do with a reasonable margin before chatter was 1 and 1/2 turns at a time.   So once I got it down, it took about 12 passes of the blade to cut through.

The cut is mirror smooth.  You are not going to improve the surface with any method I know.   This is polished end grain.    Simply put, for a cross cut, this tool passes with flying colors.  It is not the fastest, but the precision is outrageous.

Now for the hard test.  I like octagonal tool handles, and I figured that this might be the tool of choice for this task.

The chunk of ash was cross cut, by the JMP into several identical lengths.  The blocks are 1.3″ wide.

So first I cut the block to a square.  I did this by clamping in two blocks to prevent racking.  I used another block endwise to set the spacing to make a perfect square,  This was easy enough.  Then I started cutting.  A 1/4 rotation of the handle was as much as the blade was going to handle while cutting a 6″ long slice.  This means 68 passes to cut.  The rip blade was more stable on the cuts, so I didn’t have to worry as much about slopping over the 1/4 rotation as much.  this made it well worth swapping out the blade.  The rotation and the pitch of the blade are tied to each other, if you want to be efficient you want to use the entire blade.  First you adjust the pitch to find a cut rate that is stable, and then you adjust the amount you turn the crank, to match the cut rate.

Having to make 68 passes to cut a clean finish line through an ash board 6″ by 1″ is not unreasonable for hand sawing, but it does not make you rejoice with the efficiency  of the system.

jmp-octagonal-jigging-07

The first Jig I made is simply a V-Cut in a block of ash.  This lets me center another block at an angle.  I used the angle scale on the saw to make the adjustments, and they were quite well dead on.  It is rare for a machine to have angles that you can trust, but this unit seems to be perfect.  On the other hand a whole new issue surfaced.  I am not sure of the physics and why this is, but at a 45 degree angle, the saw blade was stable as long as 1/8th of a turn was made per pass.  This means that the V-Cut took a total of 244 passes to cut.  The only flaws in the V are due to my mistakes, the fit and finish is perfect,  I cut one side 2 passes too deep.  The V that was cut out, fits in perfectly,   The square block fits it perfectly as well.  We are talking machine shop fit in wood.

One note on angle cuts.  The blade is a bit flexible and can bend.  The first few passes, before an angle is established in the wood to guide the rest of the cut, should be very, very shallow.  Other wise the blade may glide along the surface and leave a poor finish on the side that you did not plan to cut.

Here is the final jig setup.  The block on the left of the blade is to hold the block being cut in place.  The block is in the V-Cut jig, having the last of the four corners cut to make an octagonal blank.

jmp-octagonal-jigging-09

Again it cut perfect surfaces.  In this case however, I found that I needed slow the cut down to 1/12 of a turn. Like hours on a clock, I would make a pass and then move the crank one more hour forward.  Fortunately cutting the corners off is only about half as much as cutting a side, so it was not intolerable.

The final result, a nicely cut octagonal blank, and my back was beginning to complain.   I have a few back issues, and this woke them up.   I need to take more breaks while working with this tool.

Here are a few more pictures of the process.

You can click on the images for a bit better detail.

This is not the method I will use in the future for making octagonal blanks.  It does a good job, but with a vise and a plane, I can do it much faster.  For end grain cuts in small sections of wood, this tool has no equal.   For thicker rip cuts in dense wood, it gives options, but is really not the right tool for the job.

Bob

The Ultimate Tool Box

Sadly, the ultimate tool box may be a five gallon plastic bucket. Hardly what one considers a timeless classic, but then again, I doubt future archeologists will consider them a rare find.

The main downside, is also an upside. There is no great appeal to the old pickle bucket. Just as the Japanese wooden tool box is a purely utilitarian crate, this is purely utilitarian. The plastic bucket does not attract attention and hardly announces that valuable tools are kept inside it. Another downside, is that in a hundred years, I doubt the plastic will be in great shape. Additionally the aesthetic does not really speak of refined tool work.   With a bit of grunge ground into the outside the aesthetic goes even further downhill.

On the upside however, these are tough, available, secure storage. They will survive a canoe trip, flood, or whatever and still keep tools in good shape. They keep weather and insects at bay, while making a pretty good stool.   Additionally there are slews of organizers available for them.   So for planning for emergencies, these may be the ultimate TEOTWAWKI tool box.

Personally I think I like the six or seven gallon better, a few tools are a bit longer and need the room.   In any case they should be equipped with a Gamma Seal, the best most secure and easy to use lid.

I will still be making and using wooden tool boxes.  Art matters.  Maybe I should make a wooden tool box that fits in a seven gallon bucket.

Bob

Korean Furniture

Fine Korean Furniture is exquisite stuff.   Master Carpenter Seol Seok-cheol is a great example for me to base my statement on.

My bias leans towards more classic lines, but I would be remiss if I left out the work of Byung Hoon Choi.

It is great to find such delightful inspiration!

Bob

Korean Tables

I have fallen in love with a Korean Table.  It appears to be about perfect.  It is simple, graceful and convenient. Not too hard to copy the lines, but I would love the classic (IE refined and tested over time) implementation and joint details.

Most Perfect Table

Most Perfect Table

This particular table has been used in more than one Korean  Drama.  If  you watch this video, about ten seconds into the show, you will see this table.  This table is an important character, at least it gets as much screen time as any character does, in this show.  The same table is also in the show, You are My Destiny.  My dear wife has  been watching this show, hoping for more details.  At times they take it outside, but they don’t show the process.  What I really want is photos detailing the corners and how they are constructed, but any info would be valuable.

Bob

Ancient Roman Infill?

Check out these two images, Roman Plane, Remains of Roman Plane.  Both of these are from this site.

The one shown here does not have the side plates, but if it isn’t an infill, it is close to being one.  This one is clearly not an infill.

Christopher Schwarz has apparently made one too.

One thing important missing in the reports about these planes.  No shavings in the pictures that I see.  No report on how well the plane worked.

Bob